Summer and Smoke by Tennessee Williams Directed by Nancy Sundstrum January 18-19, 24-26, 31, February 1-2
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Matt McCormick's Artistic rendition of the Summer and Smoke Set design |
Cast List
ALMA as a child..........Maggie McGurn JOHN as a child..........Madison Ford REV. WINEMILLER..........Larry Hains MRS. WINEMILLER..........Denni Don Hunting ALMA WINEMILLER..........Michelle Perez JOHN BUCHANAN JR.........Dave Richey DR. BUCHANAN.............Mike Kelly ROSA GONZALES............Sherry E McCarty |
PAPA GONZALES............Al Lien NELLIE EWELL.............Amanda Baltrip MRS. BASSETT.............Mollie Thompson ROGER DOREMUS............Chris Wendel MR. KRAMER (ARCHIE)......T.J. Berden ROSEMARY.................Ann Norris Levin VERNA/PEARL...........Jordan Byington DUSTY..................Brad Boese |
Production Staff
Director ........... Nancy Sundstrum Asst. Director........... Jonathon Basler Producers ............... Kris Hains, Judy Sines Costume Designer ............. Kathy Verstreate Stage Managers .............Deb Bowman, Dick Cieslick, Don Kuehlhorn Set Designer .............. Matt McCormick Lighting Designer............... Ron Murden Sound Designers ............Guy Molnar, Gary Bolton Hair .................... Jennifer Vasquez |
House Managers .........Inger Jay, Nicolle Girard Poster Design ...............Tm Kachadurian Artistic Board Liaison .... Sarah Hampton Set Construction ................. Matt McCormick, Joe McGurn, Al Lien, Jeff Kroger, Larry Hains, Bob Keller, Ann Norris Levine, Sherry McCarty, cast & Crew. Costume Crew .... Joanne McGurn, Dale George Lighting Crew .... Ron Murden, Eric Milliman Sound Crew ........ Deb Bowman, Sam CLark, Jeanine Easterday, Bryon Kuhlman |
Rehearsal Pictures
'Summer and Smoke' sizzles on OTP stage
by PHIL MURPHY
Special to the Record-Eagle
The third offering of the Old
Town Playhouse main stage season, Tennessee Williams' "Summer and-Smoke," burns with the
silent intensity of summer heat
lightning.
From the opening moments, we
know this is the story of two people and large passions - she of
the spirit, he of the flesh. It is the
year the Gulf winds were late in
coming. One suspects, if the wind
did blow, it would ignite these
smoldering emotions into brilliant flaming passions.
"Summer and Smoke". may be Williams' most romantic and lyrical play. First produced in 1947,
the production dissatisfied
Williams enough that he wrote a major revision, "Eccentricities of
a Nightingale," which was finally produced in 1964.
Nancy Sundstrom, director of
this OTP production culls the best
from different sources to build
her well-conceived, highly atmospheric production, maintaining
its integrity throughout.
The play takes place deep within Dragon Country in a place
known as Glorious Hills, a town
near the banks of Moon Lake and
overlooked by the massive stone
effigy - an angel called Eternity. These are places only found
deep within the souls of Williams'
characters - dark, atmospheric places, where the moon takes the
harshness away from rough edged
reality.
"Summer and Smoke" is an allegory of the body and soul, of air
and earth. It is first and foremost
a story about the refined Alma
Winemiller, a prim Victorian
spinster beneath whose fragile,
birdlike exterior seethe untold
passions. It is also a story about
the Dionysian John Buchanan Jr.,
the prodigal son who returns to
hard-living, wasteful ways as, the
lure of Moon Lake proves too
tempting.
The two characters are neighbors. She is air. He is earth.
Between them flow the waters, a
gulf know as Eternity. The stone
effigy is a reminder that time
flows incessantly forward: Only in
the end do they switch roles, he
seeing the importance of the soul
and serving others, she discovering her true' sensuality. The horrible irony is that they pass by
each other through the heat of
summer nights.
Michelle Perez brings the character of Alma to life. She is the
bird in a gilded cage - high- strung, giddy, fragile and alone-
her repressed sexuality at war
with her own inhibitions. Perez
has had her share of major roles
over the past few years, including in last year's "The Rainmaker." The role of Alma is her finest
portrayal to date.
She sounds many different vocal
notes, trilling her voice and
laughter. She is ultimately engaging and her fluttering affectations
are charming. She is appropriately pious, and though her Puritanism is a
comfortable coat she
wears, the audience is drawn to the struggle with her inner passions, barely held in check under
the surface. Her climactic resolve
is moving and believable. And her
final transition in an aching scene
with the traveling salesman, portrayed well by T.J. Berden, caps
the performance.
Newcomer Dave Richey is the
profligate rogue John Buchanan.
.This is Richey's first play and he
acquits himself as one far more
familiar. with theatrical performance. He slinks across the stage,
relaxed in his role of a man hungry for the visceral side of life.
He's lustful, at times bawdy, and
given to loose work with women
of less than stellar moral character, embodied in the character
of Rosa, the Mexican girl who
works at the, casino above Moon
Lake. As Rosa, Sherry McCarty is
convincing and very seductive as
the woman who tempts and
devours Buchanan.
It is the killing of his father that
becomes the turning point for
Buchanan. He finally sees in
Alma the soul that is missing from
his life and the ultimate recognition of his own worth. Richey's
performance is quite good and
only occasionally uneven. His
inexperience typically shows in
the few emotionally charged
moments when he is alone on
stage.
Denni Hunting as Mrs. Winemiller is a standout. She portrays
the loony mother who resorts to
kleptomania with hilarious
results. Mollie Thompson also
does a turn as Mrs. Bassett, the
unintentionally mean-spirited
friend of Alma.
Amanda Baltrip. is Nellie,
Alma's student turned competition for Buchanan's affections. Al
Lien is Papa Gonzales, Rosa's
father, a pathetic and dangerous
drunk. Mike Kelly plays Dr.
Buchanan haughtily and with an,
eye toward affectation. Larry
Hains is the repressive Rev. Wine
miller. And Chris Wendell is
Alma's ill-fated suitor Roger
Doremus.
Maggie McGurn as young Alma
rounds out the cast, along with
Madison Ford as young John. Jordan Byington displays some versatility as both Pearl and Verna.
Ann Norris Levine is the besotted Rosemary. Brad Boese is
Dusty the bartender at the casino.
Matt McCormick's fine set is representational, atmospheric, gothic and excellent in its depiction
of air, water and earth. It is
enhanced by Ron Murden's lighting, which adds to the atmosphere
with moonlit ambiance creating
pools of light that define place. And Kathy Verstraete's stylish
costumes maintain the stringent
Victorian lines and muted colors
adding to the stifling overall
effect.
"Summer and Smoke" continues
at Old Town Playhouse Thursday
through Saturday, Jan. 24-26 and
Jan. 31-Feb. 2. Tickets are available at the box office or by calling 247-2443 between 4 and 8 p.m.
SUMMER & SMOKE TICKETS ON SALE JANUARY 7
Show Opens Thursday, January 18, Runs through February 2
TRAVERSE CITY --- Old Town Playhouse welcomes the new year with the classic Tennessee Williams drama Summer and Smoke opening on the mainstage Friday January 18. Tickets go on sale beginning Monday, January 7, 2002 through the show’s conclusion on Saturday, February 2.
Often considered one of this famous author’s most highly regarded works, Summer and Smoke follows the relationship between a somewhat puritanical Southern girl and an unpuritanical young doctor in 1916 Mississippi as they deal with divergent attitudes toward life. The production is directed by OTP veteran Nancy Sundstrom of Traverse City.
The cast is headed by Michelle Perez as Alma Winemiller and Dave Richey as John Buchanan, Jr. Other cast members include Maggie McGurn, Madison Ford, Larry Hains, Denni Don Hunting, Mike Kelly, Sherry McCarty, Al Lien, Amanda Baltrip, Mollie Thompson, Chris Wendel, T. J. Berden, Ann Norris Levine and Brad Boese.
The show runs January 18 – February 2, 2002. Show times are Thursdays through Saturdays at 8 p.m. Tickets are $13. Thursday performances feature student and senior rate tickets for $11 as well as hearing equipment by the Traverse City Quota Club. Reservations can be made by calling (231) 947-2443 or visiting the Old Town Playhouse Box Office located at 128 East Eighth Street at Cass in Traverse City. Box office hours are 4-8 p.m., Mondays through Fridays through the run of the show as well as two hours prior to show times the weekends.
For more information, contact the Old Town Playhouse business office at (231) 947-2210.
November 5, 6, 7... 7:00pm
Auditions are Monday and Tuesday, November 5 and 6 at 7 pm in the Studio Theatre. We will be casting roles for seven men and seven women of all ages, as well as a boy and girl ages 10-14 who appear in the play's opening scene and need to bear a resemblance to the older versions of the lead characters, Alma and John. There are a few specialty roles, including a Hispanic father and daughter, an older woman, and a nerdish young man, to name a few. Actresses auditioning for Alma must be able to carry a tune, as Alma sings. Those interested in auditioning for the play are encouraged to be familiar with it, and we will read from it for the auditions. We will be looking for actors who also have an enthusiasm for Tennessee Williams and are willing to have a flexible rehearsal schedule to get us through the holiday season.